·
Find
your classwork from yesterday and continue to DISAGREE with the last statement
written.
o
Read
what has been written so far.
o
Disagree
with it by
adding 2 additional sentences that begin with,
§ “But isn’t it also true that…”
· Discussed the relative size of our individual
and our collective worlds (according to geography (North/South/East/West)
· Discussed the tendency to NOT broaden our
horizons…even in a safe place like the school cafeteria. Why would we choose
the disadvantages over the advantages? We are going to start forming habits. Is
avoiding people who are different/unknown to us going to be one of these
life-long habits?
·
Introduced to Shakespeare’s use of unusual word
order and its poetic advantage – re: “I ate the sandwich”
·
Also likened this word order to the poetry of
popular song lyrics and to Yoda from Star Wars
·
In Yoda-like fashion, reassemble one of today’s warm-up
sentences to sound Shakespearean.
· Began “Case Study” work (to finish AND COLLECT FOR GRADE). After
reading one of the case studies…
- Write down 3 reasonable
solutions.
- For each of
your 3 solutions, write the 2 advantages and 2 disadvantages.
- Decide which solution is
best.
- In 8 sentences, tell
what is likely to happen after your solution is carried out. In
other words, what is the ending to your story. It must be believable.
ENGLISH homework:
None J
***************************************************
PLAYWRITING – Day 3
·
Choose another 1 of your 3 favorite dramatic
actions from yesterday and complete the following:
o
Number a paper 10 – 1 (with 1 representing the
beginning of a scene and 10 representing the end). Work backwards figuring out
WHY each moment occurred.
·
NEXT,
develop this series of actions by answering the following questions about each:
1. Who performed the actions?
2. What does each action tell you about
the person who performed it?
a. Answer this question for all 5 actions.
·
Wrote a 10-line script about our day so far
·
NOTES (by Kurt Vonnegut):
- Every character should
want something, even if it is only a glass of water.
- Every sentence must
do one of two things - reveal character or advance the action.
- Start as close to
the end as possible.
- No matter how sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.
·
Considering the notes above, revise or rewrite
your script.
PLAYWRITING homework:
None.
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